Confessor, 2013: Beginning to Write for Our Third Record
It is difficult to believe that Confessor have been around for over twenty five years. There have been bumps and turns along the way that found us all doing other things, but after a quarter of a century we find ourselves with only one "new guy", and that is pretty astonishing. That new guy actually joined the band nineteen years ago. Pretty soon he'll graduate from the discipline building role of "coffee preparer" to that of "co-writer of heavy riffs". If my coffee is either too weak or too hot between now and when his graduation ceremony takes place, we may have to review his pending status in the band, but I feel pretty certain he'll make the cut. The most important thing for Chris to remember is that he continue to avoid making eye contact with fully accepted members of the band until he is completely sworn in. "Do you, Chris Nolan, swear to uphold the purity of the Riff and to promote heaviness and rhythmic confusion during good times and bad times, and to offer yourself to no other band, in this court of the Sabbath Black, which doth include the divinity of The Late One; Ronnie James, and do you bind yourself to the whimsy of The Four; those members who precede you and whose blood, sweat and tears have created the oddity known to the world as Confessor?" He will have a brief "Praising of His Peers" speech that he will have to recite without note cards, and a small monetary sacrifice equal to two years' worth of practice space rent, and then he will be free to submit riffs to please the band. If they do not please the band, he'll have to start the nineteen year process all over again, so the pressure is on, but I think he is motivated enough to nail it and to become the newest official member. We didn't have this protocol when Shawn joined, but we see how crucial the process is to maintaining appropriate levels of ass kissing. Chris will still have to bring us our coffee, but as long as it's delicious he can write riffs for our third record.
The Poundry is Pleased to Announce the Newest Member of Our Family, Ripp!
Monica and I have been keeping tabs on this German Shepherd for several months now. We first learned of his story via a German Shepherd Rescue group asking for donations to help pay for an emergency ear surgery he was in desperate need of after years of neglect. All that we know of his past is that there was a court order to remove him from the property of the people he lived with in South Carolina, and that he has been in foster care since May of last year. Untreated ear infections were allowed to harden in both of his ears and as a result, Ripp has lost all of his hearing. His hearing was long gone before the rescue took him in, but he was in pain because of the infections. The surgery removed both of his ear canals and closed off the openings, so he doesn't even have a way to receive sound. How's that for a chapter in The Chronicles of Suckiness! That which robs you of your hearing then drives you mad with chronic pain and discomfort... He's recovered really well, though there is a recurring topical infection that we are treating. He is incredibly sweet, playful and more than a little goofy. All three characteristics are wonderful to have in a dog, and we are delighted to be able to provide a stress free home for such a sweet boy!
Editor's Pick: Decapitated, "Carnival Is Forever" - The Meanest Band on Earth
It's no secret that I think popularity nearly made metal irrelevant. Pleasing the masses very rarely pleases the people who are passionate about something. The people who care most about a thing are usually ignored for the purpose of satisfying the far greater number of people for whom opinions are based on superficial packaging, or cursory glances at a movement without knowing much about its origins. Once Nu Metal became a viable commodity in the 90's the chances of truly original heavy bands getting noticed became greatly reduced. That's what trends in entertainment do; ignore innovation. In fact, trends stifle innovation as more and more people imitate a sound or a look that raked in big bucks for someone else, somewhere else. Trends limit the scope of creativity because less people are interested in doing something new. People may try to refine something old, but fewer push forward to see what they might come up with that could be truly unique. Add to that the necessity of a company to meet its obligations, and the focus becomes funneling talent into a proven money making product... a "sure bet", to the extent that there can be such a thing. In the Nineties, Nu Metal took a small handful of the primal attractions to heavy music; thick guitar sounds, pent up rage and low end frequencies, and made them the only things that mattered. Enter the seven string guitar and singers who never stop yelling. Yep, my beloved form of music was dealt a significant blow as it was taken out of the hands of people who respected its limitless opportunities for creativity, and delivered into the hands of people who were more interested in "units sold".
Profit is not, in and of itself a bad thing. But when profit is the motivating force behind a creative endeavor, creativity takes a back seat. I for one, do not have the patience to wade through a bunch of bands' music to see who might do something moderately interesting on two songs. I prefer bands that create an entirely different space for me, and do so consistently. In the last few years, Poland's Decapitated have impressed beyond compare, and have become my new favorite metal band. They are certainly the most exciting metal band I have heard since Opeth and Necrophagist gave me hope for the genre after being disgusted with its lack of creativity for the better part of a decade. Though their newest album, "Carnival Is Forever" has been out for well over a year, it is new to me, and I have to say that the bar has been raised as it pertains to metal being taken seriously.
Thanks to King's Barcade and Everyone Who Came Out!
Damn! What a great show! We all had a blast at Kings last Saturday night during Loincloth's first show in Raleigh. It was our home town maiden voyage and a homecoming all wrapped into one. Old faces and new faces were grinning from ear to ear as we unleashed our metal mayhem onto the streets of Raleigh's bustling party district just off of Fayettville Street Mall. It was nice to see so many loved ones in the audience as we brutalized their beloved little tushies from the stage. Demon Eye and Solar Halos got things off to a great start with their very well oiled rock machine sets, and everyone in attendance was primed for Loincloth by the time we took the stage. It was great to be able to feel the anticipation filling the room! The place just kept getting more and more packed throughout the night and we were definitely ready to rock the joint. It was on!
Alright Raleigh... Here We Come!
Our first show in Raleigh is finally upon us, and Loincloth cannot wait! Kings Barcade has invited us to have our home town inaugural blow out on its stage this Saturday, January 19th. Loincloth welcome Demon Eye, Solar Halos and our own Tomas Phillips to rock the capital at 14 West Martin Street. Eight bucks before the day of the show, ten bucks if you get your ticket Saturday. Either way, it's just a decent tip after a great meal! Hell, have a great meal, stiff the server and come check out all of the bands... Okay, maybe you shouldn't stiff the server but should instead bring enough for cash the restaurant and the show. Oh yeah, and some t-shirts, cd's etc... You'll be a better, happier person for it! Be there, or be square. Or surf the sofa eating potato chips and hot dogs on white bread, wondering why no heavy bands ever play in your living room and why all of the action is downtown. We'd rather see you at Kings though, with all of the full, happy people who are getting their asses rocked off! Your call, old weiners and stale chips or a night of getting your butt handed to you on a twisted metal platter!
Leftovers
These are some photos from our trip out west that may be interesting to some but were not included in any of the descriptions of our adventures. I'm just throwing these in for the curious among you to browse through. Click "read more" to see them all. I just realized that if you click on a photo one time you can see a slightly larger version of it, and a scroll appeared at the bottom of the screen from which you can click on any of the photos in this post to see them slightly larger. There's no charge! At least, I hope there's no charge...
Portland: From our hotel window
The Final Embedded Reporting Installment: Los Angeles, and "The Power of the Riff" Show...
And finally we came to the big show... The Power of the Riff show at the Henry Fonda Theater on Los Angeles' Hollywood Boulevard. Greg helped put this annual event together to coincide with what the Mayan calendar mysteriously described as "the end of an era". This day of metal sub genre mayhem brought Void Ov Voices, Loincloth, Black Breath, Dead in the Dirt, Corrosion of Conformity, High on Fire and Sunn together under one roof to rock what some believed would be The End of Days. Unless we have all been thrust into an alternate plane of existence ( would we ever know? ) the very fact that I am able to write about this show now proves that it was a night just like any other, except for the metal beat down of the people in attendance at the club. The era that ended may have been the part of their lives before The 'Cloth and six other bands blew their minds.
I had only been to Los Angeles once before, and I was actually in the city for just a few hours before Monica picked me up and took me to her parents' house when she was still in high school. The only thing I remember seeing in the city was a group of Hispanics getting frisked by the police against a wall. Monica's first trip into City of Angels stuck in her mind because she saw a woman squat and pinch a loaf right on the sidewalk. Yes, L.A. has it all if you know where to look.
