In early September I had an opportunity to do something I had never considered when I started playing drums. I was asked if I might be interested in being one of three judges at Guitar Center's annual Drum Off at their Raleigh store. I was honored to be considered but I wanted them to know what they were getting, or maybe it would be more appropriate to say, what they were not getting with me. After clarifying that not knowing a damned thing about music theory or having even a remedial understanding of drumming concepts would not be deal breakers, I told them they could count me in. I was happy to feel as though I was contributing to the local music scene in a different capacity. And who hasn't wondered what it might be like to have on nothing more than a long, black robe and tennis shoes? Plus, I get to be called "Judge Shelton" and "your Honor" now. I can work with titles like that!
Nov 19, 2016
Nov 13, 2016
A Diamond in the Rough Mix, Part Deux
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Nov 10, 2016
A Diamond in the Rough Mix
The dust has finally settled at Pershing Hill Sound after three intense days of recording drums for the next Loincloth album in our endless pursuit of sublimely twisted metal. My monster drum kit and I set up camp in Master Greg Elkins' studio to lay down the beats that could potentially lead the world to a better place for all humanity. A place where drummers are the ones who get the lead roles in movies talking about snares that go "up to eleven" and singers are those who spontaneously combust onstage. A world where gingers like myself have songs sung about them instead of being ridiculed for their superior intelligence and intimidating good looks. A world where percussive brilliance buys access to the highest levels of power. A Stevetopia where tolerance for all is based upon one hundred percent acceptance of my ideas and only those fools who disagree are led to reeducation camps, or shamed into silence. That is the scale of Loincloth's dream, and as of two weeks ago the world is one step closer to its realization.
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